People Safety – shot by shot

Every shot in the badge, in order, with its timecode, a frame from it, where it came from, what was done to it and why. Open items from the 17 August meeting are flagged against the shot they belong to.

2017 original · 34 re-animated · 20 new material · 23 composited fix · 1

78 shots across 17 films. 6 edits still open and 3 waiting on Velma, tracked on the ML Lab punch list. Nothing below is marked done by me – the punch list only lets me mark an item awaiting your verification.

Lesson 1 · People Safety – start here

sos-ps-01-intro-v4x-720.mp4 · 3 shots · 16.80s · player stops at 12.40s

1.01 0:00.00 – 0:09.602017 original

Brandon walks home along the street at dusk; narration introduces tricky people.

Built: 2017 export, picture untouched

Velma: ‘Video is very good.’

1.02 0:09.60 – 0:12.402017 original

Continues to the line about learning to recognise tricky people.

Built: 2017 export

The player STOPS here. From 12.40 the original says ‘Click on the People Safety icon’, which does not exist in this build.

1.03 0:12.40 – 0:16.802017 original

NEVER PLAYS. The stale click-the-icon instruction.

Built: 2017 export, left in the file but gated out by endAt=12.40

Cutting the file would have desynced the captions; gating is safer.

B1 The clickable People Safety badge that used to sit b B2 Velma rewrote the key points. Current build has thre

Lesson 2 · The gift from Mr. Taylor

sos-ps-02-gift-v2x-720.mp4 · 16 shots · 46.40s

2.01 0:00.00 – 0:01.882017 original

Establishing – Brandon on the pavement with headphones.

Built: 2017 live action

Live action retained by Spencer’s decision, 17 Aug.

2.02 0:01.88 – 0:04.502017 original

Mr. Taylor at his car with boxes, calls out.

Built: 2017 live action

2.03 0:04.50 – 0:07.422017 original

‘You’ve got to turn down that music and pay more attention, Brandon.’

Built: 2017 live action

2.04 0:07.42 – 0:08.592017 original

Brandon reacts.

Built: 2017 live action

2.05 0:08.59 – 0:12.722017 original

Mr. Taylor offers the monster card.

Built: 2017 live action

Card kept generic and non-distinctive – agreed 17 Aug.

2.06 0:12.72 – 0:16.562017 original

Brandon takes the card.

Built: 2017 live action

2.07 0:16.56 – 0:19.392017 original

Two shot on the pavement.

Built: 2017 live action

2.08 0:19.39 – 0:21.192017 original

Mr. Taylor works out when Brandon’s mum gets home.

Built: 2017 live action

Velma’s revised key point 4 covers this beat.

2.09 0:21.19 – 0:23.692017 original

‘Why don’t we play online before she gets home?’

Built: 2017 live action

2.10 0:23.69 – 0:26.152017 original

Brandon hesitates.

Built: 2017 live action

2.11 0:26.15 – 0:28.362017 original

‘Let’s keep this between you and me.’

Built: 2017 live action

The line the whole lesson turns on.

2.12 0:28.36 – 0:34.662017 original

Brandon’s reaction to the secret.

Built: 2017 live action

2.13 0:34.66 – 0:37.292017 original

Mr. Taylor closes the exchange.

Built: 2017 live action

2.14 0:37.29 – 0:41.922017 original

Brandon leaves.

Built: 2017 live action

2.15 0:41.92 – 0:43.422017 original

Mr. Taylor watches him go.

Built: 2017 live action

2.16 0:43.42 – 0:46.402017 original

Closing beat; the gate opens at 45.20.

Built: 2017 live action

C1 Velma rewrote key points 1 and 4. Points 2 and 3 are C2 Deaf and hard-of-hearing children need the spoken di

Lesson 3 · Secrets, surprises and privacy

sos-ps-04-secrets-v3x-720.mp4 · 10 shots · 83.84s

3.01 0:00.00 – 0:12.00new material

Title beat – ‘what is the difference between a secret, a surprise and privacy?’

Built: Built 17 Aug, flat illustrated style

Whole lesson is NEW – it does not exist in the 2017 course. Velma: ‘a much better video than the first one produced.’

3.02 0:12.00 – 0:21.00new material

PRIVACY defined – your own space, things you do not have to share.

Built: Built 17 Aug

3.03 0:21.00 – 0:28.16new material

Privacy examples – door shut, password, diary. Gate at 28.00.

Built: Built 17 Aug

3.04 0:28.16 – 0:37.68new material

SURPRISE defined – hidden for a little while to make somebody happy.

Built: Built 17 Aug

3.05 0:37.68 – 0:43.04new material

A surprise always comes out in the end. Gate at 42.30.

Built: Built 17 Aug

3.06 0:43.04 – 0:51.96new material

SECRET defined – somebody asks you never to tell. Some secrets are fine.

Built: Built 17 Aug

3.07 0:51.96 – 1:04.24new material

The four unsafe feelings named – scared, confused, sad, uncomfortable.

Built: Built 17 Aug

Gate moved to 61.30 on 17 Aug so the question is asked AFTER the feelings are named.

3.08 1:04.24 – 1:11.08new material

The rule – if a secret makes your tummy feel funny, tell a trusted adult. Gate at 70.85.

Built: Built 17 Aug

Gate moved from 65.50 to 70.85 – it used to be asked before the rule was spoken.

3.09 1:11.08 – 1:15.00new material

A good adult will never ask you to keep a secret that makes you feel bad.

Built: Built 17 Aug

3.10 1:15.00 – 1:23.84new material

Summary – privacy, surprises, the secret that feels wrong. THE DOOR IS OPEN IN THIS SHOT.

Built: Built 17 Aug

Velma: ‘The door is open at the end of the video. It should be closed.’ – punch item D3.

D1 The audio cuts off abruptly mid-word at the end of e D2 ‘Which feelings mean a secret is not safe?’ requires D3 The door is standing open in the closing shot. It sh

Lesson 4 · The six rules – rule 1

sos-ps-05-rules-a-v4x-720.mp4 · 2 shots · 20.20s

4.01 0:00.00 – 0:16.002017 original

Brandon with the monster card; RULE 1 ‘check first with an adult in charge’. Gate at 11.50.

Built: 2017 export, picture untouched

4.02 0:16.00 – 0:20.20re-animated

Neighbour at the kitchen doorway holds out a wrapped present; Brandon’s hands stay down and he looks to his mother.

Built: Re-animated 17 Aug (job 104) to replace a shot whose kitchen, lighting and Mum’s clothes all changed across the cut

Continuity: Mum went from a cream apron in a warm kitchen to a pink top in a cooler one, and Brandon gained a backpack, in one cut.

E1 THE 6 RULES SLIDE IS MISSING ENTIRELY. Velma sent it E2 Velma wants a permanent six-rules reference the chil

Lesson 4 · The six rules – rules 2 and 3

sos-ps-05-rules-b-v6x-720.mp4 · 3 shots · 25.80s

4.01 0:00.00 – 0:08.522017 original

RULE 2 – adults should ask other adults for help, not kids.

Built: 2017 export

4.02 0:08.52 – 0:17.04re-animated

RULE 3 – a parent and child agree the family code word at the kitchen table, the word shown on screen.

Built: Re-animated 17 Aug

The original narrated the code word over a shot of a family laughing. Spencer: ‘There’s nothing in that video about a code word.’

4.03 0:17.04 – 0:25.80re-animated

At school pickup Brandon ASKS for the code word and the driver answers; his face resolves from unsure to relieved. Gate at 16.60.

Built: Re-animated 17 Aug

The original showed an unlabelled woman by a car and ended on Brandon looking worried while the narration delivered the reassurance.

E1 THE 6 RULES SLIDE IS MISSING ENTIRELY. Velma sent it E2 Velma wants a permanent six-rules reference the chil E3 Rule 2 shot: a man on the left is pointing down the E4 Rule 3, the family code word. The teaching is incomp

Lesson 4 · The six rules – rules 4 and 5

sos-ps-05-rules-c-v5x-720.mp4 · 2 shots · 14.44s

4.01 0:00.00 – 0:07.32re-animated

RULE 4 ‘be alert’ – Brandon stops, head up, scanning.

Built: Re-animated 17 Aug

The original never demonstrated alertness. NOTE: Velma still finds this shot odd – punch item E5.

4.02 0:07.32 – 0:14.442017 original

RULE 5 – don’t keep unsafe secrets. Gate at 13.90.

Built: 2017 export

Gate moved from 9.50 to 13.90 on 17 Aug so it is asked after rule 5 is fully explained.

E1 THE 6 RULES SLIDE IS MISSING ENTIRELY. Velma sent it E2 Velma wants a permanent six-rules reference the chil E5 Rule 4 ‘Be alert’: Brandon taking his hoodie off rea

Lesson 4 · The six rules – rule 6, No Go Yell Tell

sos-ps-05-rules-d-v7x-720.mp4 · 4 shots · 21.00s

4.01 0:00.00 – 0:10.502017 original

RULE 6 introduced; NO – Brandon stands tall, palm out.

Built: 2017 export

4.02 0:10.50 – 0:14.00re-animated

GO – Brandon moves away down a shopping street.

Built: Re-animated 17 Aug

Original had Go, Yell and Tell as one unbroken run cycle. VELMA REJECTS THIS SHOT: he should not run, he should walk – punch item E6.

4.03 0:14.00 – 0:17.80re-animated

YELL – Brandon stopped, hands cupped, mouth wide, heads turning.

Built: Re-animated 17 Aug

VELMA REJECTS THE TIMING: he yells while the narration is still saying GO, and he is yelling at nobody – punch item E7.

4.04 0:17.80 – 0:21.00re-animated

TELL – Brandon arrives at a trusted adult at a front door. Gate at 15.80.

Built: Re-animated 17 Aug

Original ended in an unidentified woman’s open arms. VELMA: the adult still looks like the shopkeeper he ran from, and the badge never teaches WHO is safe – punch item E8.

E1 THE 6 RULES SLIDE IS MISSING ENTIRELY. Velma sent it E2 Velma wants a permanent six-rules reference the chil E6 Rule 6 GO: Brandon runs away from a shopkeeper who i E7 Rule 6 YELL: Brandon yells while the narration is st E8 Rule 6 TELL: the trusted adult he runs to looks like

Lesson 5 · Your trust meter – instincts

sos-ps-06-trust-a-v6x-720.mp4 · 2 shots · 23.40s

5.01 0:00.00 – 0:15.00composited fix

Brandon on a shopping street; narration about who is trustworthy. A gibberish AI shop sign is BLURRED OUT from 1.30 to 8.50.

Built: 2017 picture with a tracked gaussian blur added 17 Aug

The sign read ‘Caoke / Tameo’. Blurred rather than re-animated so the original performance is kept.

5.02 0:15.00 – 0:23.40re-animated

Butterflies as unease – grey-blue, agitated, Brandon unsure. Gate at 20.72.

Built: Re-animated 17 Aug

The original played the warning-feeling beat as delight: golden butterflies and a serene smile. VELMA: butterflies are in his chest, should be his stomach – punch item F5.

F5 Butterflies appear in Brandon’s chest, not his stoma

Lesson 5 · Your trust meter – the three feelings

sos-ps-06-trust-b-v6x-720.mp4 · 3 shots · 17.60s

5.01 0:00.00 – 0:10.60re-animated

CONFUSED – shrug, brow drawn, eyes searching. Plain warm background.

Built: Re-animated 17 Aug, time-stretched 1.172x to cover the line

Original had eyes closed and smiling on ‘confused’.

5.02 0:10.60 – 0:14.12re-animated

UNCOMFORTABLE – shoulders in, chin down, eyes glancing away.

Built: Re-animated 17 Aug (job 102)

Original used the identical frown for uncomfortable and scared. Re-shot again later the same day to remove a backpack that appeared mid-film.

5.03 0:14.12 – 0:17.60re-animated

SCARED – eyes wide, brows high, small gasp, hands rising. Gate at 17.15.

Built: Re-animated 17 Aug (job 103)

Gate moved from 4.10 to 17.15 so the question is asked after all three feelings are named.

F4 ‘What might your instincts be saying?’ is confusing

Lesson 5 · Your trust meter – the meter itself

sos-ps-06-trust-c-v3x-720.mp4 · 2 shots · 17.20s

5.01 0:00.00 – 0:08.602017 original

The trust meter introduced.

Built: 2017 export

5.02 0:08.60 – 0:17.202017 original

‘Your trust meter should be going – I do not trust, go away.’ Gate at 16.60.

Built: 2017 export

Gate moved from 5.00 to 16.60 so it is asked after the answer is given. THE METER ART ITSELF IS REJECTED – punch items F1, F2, F3.

F1 There are TWO different trust meter designs in the b F2 The meter currently answers YES / NO. The original a F3 The trust meter graphic itself is ugly – ‘looks like

Lesson 5 · Your trust meter – four alarms

sos-ps-06-trust-d-v8x-720.mp4 · 5 shots · 25.08s · player stops at 22.30s

5.01 0:00.00 – 0:08.042017 original

The RIDE alarm – a man leans out of a car at the curb and offers Brandon a lift.

Built: 2017 export, picture untouched

Measured, not assumed: the line ‘offers you a ride’ is spoken 6.02-7.06 and this picture runs to 8.04, so this line was already on its own picture.

5.02 0:08.04 – 0:16.562017 original

The GIFT alarm – a man kneels and holds out a wrapped present.

Built: 2017 export, picture untouched

‘Offers you an expensive gift’ is spoken 10.98-12.58, inside this picture. Also already correct.

5.03 0:16.56 – 0:19.10re-animated

The photographer stands UPRIGHT at his full height with a wide gap of grass between him and Brandon, phone at his own chest height; Brandon holds a flat palm up.

Built: RE-ANIMATED 20 Aug (job fe9e7b79, take 2). Take 1 came back with him bent over again because the shipped frame was passed as an image reference and the picture beats the text – so take 2 was driven from a NEW start image (job 87d850bc) that stages him standing four metres away.

VELMA: ‘That’s creepy. Maybe we have him not bend over and be in his face like that. Be more natural.’ – punch item F6. The window also moved from 16.52-20.82 to 16.56-19.10 so the picture changes when the SECRET line starts, not 1.7s into it.

5.04 0:19.10 – 0:23.50re-animated

An adult holds one finger upright against his own lips – the keep-it-quiet sign – and holds it. Gate at 21.90. Player STOPS at 22.30.

Built: RE-ANIMATED 20 Aug (job 2c46b3b5, take 1). Window starts at 2.00s of the take, which is where the finger reaches the lips; anything earlier shows it still climbing.

THERE WAS NO SHUSH ANYWHERE IN THE FILM. Spencer: ‘make sure you synchronize… the finger over his lips… at the point where the voice says that.’ The secret line is spoken 19.18-21.28 and the old picture did not change until 20.88 – 1.7s late, and when it did change it was only the photographer standing up. Now the gesture is at the lips within 0.12s of the cut – punch item F6.

5.05 0:23.50 – 0:25.082017 original

Never played. The original ‘click the button to practice’ tail, gated out by endAt=22.30.

Built: 2017 export, left in the file

Cutting it would have moved the running time and every gate with it.

F6 Alarm situations film: the narration and the picture

Lesson 6 · Your dad’s been in an accident

sos-ps-06a-minivan-v5x-720.mp4 · 4 shots · 30.70s

6.01 0:00.00 – 0:07.302017 original

Brandon walking; the van approaches. VELMA REJECTS: the van drives up onto the pavement here – punch item G1.

Built: 2017 export

6.02 0:07.30 – 0:09.89re-animated

The driver waits, still, through the measured silence.

Built: Re-animated 17 Aug (job 21)

Original had him miming a full line into 1.5s of silence.

6.03 0:09.89 – 0:17.10re-animated

The driver speaks both his lines, animated, in frame to his last word.

Built: RE-ANIMATED 19 Aug (job 47774b33). The WOMAN now leans out and delivers the accident line, flat and businesslike per RULE-never-perform-the-lure, with the man at the wheel. Take 1 accepted.

Original held a closed-mouth grin through both lines and drifted out of frame mid-sentence. VELMA: make it a man AND a woman, with the woman speaking – punch item G2.

6.04 0:17.10 – 0:30.702017 original

Brandon’s reaction and the code word. Gates at 17.40, 18.60, 21.00, 25.60.

Built: 2017 export

VELMA: the driver disappears behind the question – punch item G3. And drop ‘click on Brandon to see what he is thinking’ – punch item G4.

G1 The van drives up onto the sidewalk in one shot and G2 Every predator in the badge is a man. G3 The driver’s shot disappears while the question is o G4 ‘Click on Brandon to see what he is thinking’ is fus

Lesson 7 · The stranger on the bike

sos-ps-06b-bike-v8x-720.mp4 · 3 shots · 27.40s

7.01 0:00.00 – 0:07.982017 original

Brandon walking home from school.

Built: 2017 export

7.02 0:07.98 – 0:22.37re-animated

The teenager stands holding his bicycle, waits, then asks directions; Brandon visibly replies while the stranger is still there. Gates at 15.50, 22.00, 22.60.

Built: Re-animated 17 Aug (t32_bike_full)

Original had him performing 4-5s early and holding a smartphone while asking a child for directions – both fixed. TWO DEFECTS REMAIN: Brandon’s trousers drift from tan to blue inside this shot (a re-take came back worse and was rejected), and the stranger is gone the moment this shot ends – see the next shot.

7.03 0:22.37 – 0:27.402017 original

Brandon walks on. THE STRANGER IS GONE AND THE BICYCLE STANDS RIDERLESS from 22.6s.

Built: RE-ANIMATED 19 Aug (job db09a4d6). The teenager keeps both hands on the handlebars to the end of the shot; the bike is never left standing on its own. This is the tail I previously claimed was fixed and had not touched. Take 1 accepted.

Velma found this 18 Aug – punch item H3. I had recorded the riderless bike as fixed; it was only fixed inside the re-animated middle, and this tail reintroduces it. Also: narration and caption disagree on ‘video store’ vs ‘video game store’ – punch item H1.

H1 Narration and caption disagree: one says ‘video game H3 The teenager vanishes near the end and the bicycle i

Lesson 8 · The lost puppy

sos-ps-08-puppy-v4x-720.mp4 · 3 shots · 27.60s

8.01 0:00.00 – 0:07.49new material

Brandon walking; narration lifted UNCHANGED from the minivan film.

Built: Built 17 Aug

Whole lesson is NEW. Built with zero new writing so nothing had to be approved: the narration is Velma’s own from another film.

8.02 0:07.49 – 0:18.54new material

A man asks Brandon to come to the park and help find his lost puppy.

Built: Built 17 Aug

His line is Sergeant Mungar’s verbatim example from the police film.

8.03 0:18.54 – 0:27.60new material

Brandon turns and STARES at the stranger for the last eight seconds. Gates at 19.50, 21.50, 24.00.

Built: Built 17 Aug

Velma 18 Aug: he should walk away, not stare – punch item L2. The man’s voice is also robotic – punch item L1.

L1 The man’s voice is robotic. L2 Brandon turns and stares at the stranger for the las

Lesson 9 · The pizza nobody ordered – part 1

sos-ps-07-pizza-a-v7x-720.mp4 · 4 shots · 25.10s

9.01 0:00.00 – 0:04.122017 original

‘Pop quiz. There’s an unexpected visitor at the door.’ VELMA: remove the words ‘Pop quiz’ – punch item I1.

Built: 2017 export

9.02 0:04.12 – 0:08.12re-animated

The delivery man on the porch – ‘Pizza delivery. I’ve got the pizza you ordered.’

Built: Re-animated 17 Aug (job 101)

The original dissolved between two different porches mid-line, putting TWO delivery men on screen at once, one of them semi-transparent.

9.03 0:08.12 – 0:14.24re-animated

Brandon inside the hall, worried, alone. THE FRONT DOOR IS STANDING OPEN. Gate at 13.70.

Built: RE-ANIMATED 19 Aug (job fd8f2bc0). The front door is SHUT in every frame and Brandon listens from inside, a step back from it. Take 1 accepted. This is the lesson whose whole teaching is that you do not open the door.

Fixed the two-Brandons defect, but introduced a worse one: the door is open in the lesson that teaches you not to open it. Velma found it 18 Aug – punch item I2. The doors also do not match: blue outside, white panelled inside.

9.04 0:14.24 – 0:25.10re-animated

The delivery man hammers and leans in, face hardening, as the audio escalates. Gate at 24.30.

Built: Re-animated 17 Aug

Original had him standing still and mildly sad while the audio said ‘I’m not leaving until you open this door.’

I1 The scenario opens with the words ‘Pop quiz’. I2 The front door is standing OPEN while Brandon is ins I3 Velma reports two Brandons at the beginning of the p

Lesson 9 · The pizza nobody ordered – part 2

sos-ps-07-pizza-b-v4x-720.mp4 · 2 shots · 19.50s

9.01 0:00.00 – 0:10.002017 original

Brandon decides not to open the door. Gate at 5.00.

Built: 2017 export

9.02 0:10.00 – 0:19.50re-animated

Brandon on the stairs, phone to ear, serious and composed. Gate at 11.80.

Built: Re-animated 17 Aug

Original had him smiling throughout the 911 instruction and laughing with his eyes shut at 19.04.

No open edits against this lesson.

Lesson 10 · A police officer explains tricky people

sos-ps-09-officer-v4x-720.mp4 · 10 shots · 115.20s

10.01 0:00.00 – 0:10.34new material

What a tricky person is – someone who might want to fool children. Gate at 10.30.

Built: Built 17 Aug, Maeve voice, Sgt Mungar’s script verbatim

Replaces the 480p Hamilton Police interview at Velma’s request for a female officer. VELMA NOW WANTS HER BLACK OR ANOTHER VISIBLE MINORITY – punch item J1.

10.02 0:10.34 – 0:25.56new material

They don’t always look tricky; judge behaviour, not appearance.

Built: Built 17 Aug

10.03 0:25.56 – 0:39.84new material

They might pretend to be someone else, or ask a child for help.

Built: Built 17 Aug

10.04 0:39.84 – 0:49.49new material

She QUOTES the lure – ‘I’ve lost my dog… come with me to the park.’

Built: Re-shot 18 Aug

First version had her performing the lure with a sweet coaxing face. The original officer delivers it flat, in profile, with an interviewer in the room. Re-shot flat and grave with the eyeline off camera.